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An “urgent [and] ingenious” (The New York Times Book Review) novel of rupture and repair in the digital age, delving into a hidden world deep under the ocean—from the New York Times bestselling author of Apeirogon and Let the Great World Spin
“Everything gets fixed, and we all stay broken.”

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From the author of The Immortal King Rao, finalist for the Pulitzer Prize, a personal exploration of how technology companies have both fulfilled and exploited the human desire for understanding and connection

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In this spellbinding and provocative novel from the New York Times bestselling author of The Age of Miracles, a young mother is struck by sudden and puzzling psychological symptoms that illuminate the mysterious dimensions of the human mind--and of love.

BuyA “frank and wry, mad and graceful“ (Slate) true story about getting dumped, and getting over it.

When the phone rang on a cold November afternoon in 1990, Grégoire Bouillier had no way of knowing that the caller was the woman who had left him, without warning, five years before. And he couldn't have guessed why she was calling: not to say she was sorry, not to explain why she'd vanished from his life, but to invite him to a party. A birthday party. For a woman he'd never met.

Here is the unlikely but true account of how one man got over a broken heart, regained his faith in literature, participated--by mistake--in a work of performance art, threw away his turtlenecks, spent his rent money on a 1964 Bordeaux that nobody ever drank, and fell in love again. Named one of the year's best books by Slate and the San Francisco Chronicle when it first appeared in English, The Mystery Guest is a “darkly hilarious . . . odyssey . . . that wends its loopy way toward yes“ (O, the Oprah Magazine).

BuyAn unflinching motherhood memoir that dares to ask what happens when “what to expect when you’re expecting” turns out to be months of rage, anguish, brain fog, and a total surrender of sex, career, and identity.

Like most of us, Sarah Hoover grew up imagining a certain life for herself, and when she moved from Indiana to New York City to study art history, the life she’d imagined began falling into place. She got her degree in art history, landed a job in a gallery, made friends, and met interesting artists, one of whom became her husband. But when Hoover got pregnant, everything in her life began to unravel.

She felt like an imposter in her own body. She grew distant from her friends and husband. Anxiety, fear, guilt, and shame threatened to swallow her. She also experienced trauma at the hands of one of her doctors—a stark trigger. And when her son was born, there was no… joy.

Her despair was persistent, even with help, therapy, and pills. Grieving a lost identity and angry at the world around her, she found herself despising her baby, her husband, and herself. She was afraid it might not end. With the help of a doctor’s diagnosis, Hoover began to understand the cluster of symptoms that informed her experience—she was drowning in postpartum depression—and that she wasn’t a bad mother or a failed woman.

At its core, The Motherload is about learning to forgive yourself. It’s a rejection of the cultural idea of the mother as a perfect being. And it’s an honest, propulsive, and often funny take on the vicissitudes of marriage, life, and parenting—a motherhood memoir unlike any other.