Andrew Solomon is a regular contributor to The New Yorker, Artforum, and The New York Times Magazine, and the author ofThe Irony Tower: Soviet Artists in a Time of Glasnost; the novelA Stone Boat; and The Noonday Demon: An Atlas of Depression, for which he received the National Book Award and a Pulitzer Prize nomination. He lives in New York City and London.
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RT @Cait_onthe_Luce: I'm currently reading Corrigan by Caroline Blackwood. A lonely widow, a charming stranger who's a bit of a schemer, he…
One might say Blackwood practices a bullfighter's feint. The author waves a red cape at us, knowing we will charge at the wrong target. The best example of this approach is Corrigan. This 1984 novel is Blackwood's loveliest and most craftily assembled work of fiction and, strange to say, her sunniest, though the sunshine arrives late in the day and in an extremely perverse yet logical manner....There is a surprise lurking in its pages that overturns our understanding of what we've read about for a hundred pages or so, an enriching surprise that has been basking more or less in plain sight, but perhaps even more striking is the uncharacteristically wily optimism of Corrigan.
-- Gary Indiana, Bookforum