"In this stirring work, journalist Kennedy reexamines 'all that Whitney was and all that she was never able to be'...the author both celebrates the legendary singer's inimitable talent and offers a rousing critique of oppressive systems still at work today. This is a must-read for fans."
--Publishers Weekly, *starred* review
"A collection of unsparing, deeply personal essays on the singer's life and career that arrives 10 years after her death...Kennedy's book, unlike so many before it, is not a gossipy biography but a collection of often powerful meditations on Whitney's life and the culture that failed her".
--The Washington Post
"A decade after Houston's death, journalist Gerrick Kennedy celebrates the music legend's triumphs in a judgment-free exploration of her life following a foreword by Brandy."
--InStyle"A candid exploration of Houston's talent, dysfunction and fame beyond the tabloid headlines...It seriously considers her impact on music, pop culture, race and the author's own life as a queer Black man."
--Los Angeles Times
"By contextualizing her career, this book is far from a simple biography or tell-all, and feels like, what Wills described as 'a collective apology' to a beloved icon."--The Grio
"The great strength of this book is that Kennedy--who sees Houston through the lens of the Black Lives Matter, #MeToo and LGBTQ+ movements o f the last decade--refuses to pass judgment. Instead, he seeks to understand Houston's struggles as evidence of a woman who shouldered an enormous burden--not just as a pop icon, but as a deeply devout queer Black artist forced to inhabit an unforgiving premade identity...Thoughtful reading for Houston fans and music historians alike."
--Kirkus Reviews
"Kennedy's winning argument invites readers to focus on Houston's triumphs: the ceilings she broke and the pathways she paved. Particularly impactful is Kennedy's work to locate Houston's legacy in a historical-cultural context, retrieving, for example, the no longer-sung, racist third verse of 'The Star-Spangled Banner'--which she breathtakingly performed in 1991--and contemplating the meaning of a Black woman performing the national anthem at such a profound level."--Booklist
"Tackle Didn't We Almost Have It All...and you can expect to see things you already know, but you can also expect to be delighted. It's a fan's book, for sure, and reading it might be the greatest love of all...There's a lot of introspection in it, as well as a shift in how we think about our celebrities."--Jacksonville Free Press