Doyle explores ideologies of emotion and how emotion circulates in and around art. Throughout, she gives readers welcoming points of entry into artworks that they may at first find off-putting or confrontational. Doyle offers new insight into how the discourse of controversy serves to shut down discussion about this side of contemporary art practice, and counters with a critical language that allows the reader to accept emotional intensity in order to learn from it.
Jennifer Doyle is Professor of English at the University of California, Riverside. She is the author of Sex Objects: Art and the Dialectics of Desire and co-editor of Pop Out: Queer Warhol, also published by Duke University Press.
THE NEIGHBORS out in trade paperback January 2024. Also wrote: MAW (2022), DEAD BLONDES & BAD MOTHERS (a Kirkus Best Book of 2019) & TRAINWRECK (2016). He/they.
This is from "Hold It Against Me: Difficulty and Emotion in Contemporary Art," by Jennifer Doyle, who literally does teach art that's hard for people to look at (intense BDSM, bloody self-mutilation, etc.) People are BETTER prepared to discuss hard material if you're considerate. https://t.co/d1QPP4Ka2I
Dry Your Tears to Perfect Your Aim Authenticity is a Feeling Rich and Poor Polyamorous Love Song PME-ART The Air Contains Honey
"The artists I work with turn to emotion because this is where ideology does its most devastating work." – Jennifer Doyle, Hold It Against Me