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Book Cover for: Japanese Yokai and Other Supernatural Beings: Authentic Paintings and Prints of 100 Ghosts, Demons, Monsters and Magicians, Andreas Marks

Japanese Yokai and Other Supernatural Beings: Authentic Paintings and Prints of 100 Ghosts, Demons, Monsters and Magicians

Andreas Marks

Superb Yokai images from the world's leading museums and private collections!

Japan's vast pantheon of supernatural creatures includes demons (yokai), monsters, ogres (oni), ghosts (yurei) and magicians--mythical beings from folklore and popular culture which continue to thrill readers of traditional stories and manga today.

This richly illustrated book by Andreas Marks, the leading authority on Japanese woodblock prints, presents authentic illustrations and descriptions of 100 different creatures, including:

  • Bakeneko: Monster cats in human form who lick lamp oil and prey on humans born in the year of the Rat
  • Han'nya: Female demons with sharp and pointed horns, metallic eyes and a smirking smile
  • Hihi: Large ape-like monsters who live in the mountains and have superhuman strength, enabling them to kidnap and kill humans
  • Mikoshi-nyudo: Yokai with an enormously extended necks who appear only at night
  • And many more!

The striking visual examples in this book are drawn from the rich canon of early Japanese prints, books, and paintings--sourced from leading museums, libraries and private collections worldwide. They show the "original" forms and appearances of the creatures which form the basis for all subsequent depictions.

Also included are two long handscrolls from the Minneapolis Institute of Art (A Collection of Monsters and Night Parade of One Hundred Demons) which are reproduced here for the very first time.

Prints and Paintings sourced from the following list of museums, libraries and private collections:
Art Institute of Chicago
Christie's, London & New York
The Cleveland Museum of Art
Harold B. Lee Library, Brigham Young University
Kyoto University, Main Library
Library of Congress
Los Angeles County Museum of Art
The Metropolitan Museum of Art
Minneapolis Institute of Art
National Museum of Japanese History
Princeton University Library
Rijksmuseum, Amsterdam
Smithsonian Libraries

Book Details

  • Publisher: Tuttle Publishing
  • Publish Date: Apr 11st, 2023
  • Pages: 240
  • Language: English
  • Edition: undefined - undefined
  • Dimensions: 0.00in - 0.00in - 0.00in - 0.00lb
  • EAN: 9784805317150
  • Categories: PrintsAsian - JapaneseAsia - Japan

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About the Author

Dr. Andreas Marks is the Mary Griggs Burke Curator of Japanese and Korean Art and director of the Clark Center for Japanese Art at the Minneapolis Institute of Art. From 2008 to 2013 he was the director and chief curator of the Clark Center for Japanese Art and Culture in California. He has a Ph.D. from Leiden University in the Netherlands and a master's degree in East Asian Art History from the University of Bonn, Germany. A specialist of Japanese woodblock prints, he is the author of 18 books. In 2014, he received the International Ukiyo-e Society award in recognition of his research and publications. In 2018, he received the book award from the International Fine Print Dealers Association.

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Praise for this book

"This compendium catalogs 100 creatures from Japanese tradition, illustrating each with vintage woodblock prints, inked handscrolls, more. Some of the entries will be familiar to fans of contemporary manga and anime: Gge Akutami's Jujutsu Kaisen series, for one, incorporates numerous yokai (demons), and Hayao Miyazaki's Studio Ghibli oeuvre includes depictions of bakeneko (supernatural cats, My Neighbor Tototora), yamauba (a mountain hag, Spirited Away), and others." --Publishers Weekly
"Finding one's bearings in this wealth of fiends can be a challenge though, especially for Western readers who are not familiar with the imagery and symbolism of Japanese art. This is where Marks' latest volume, Japanese Yokai and Other Supernatural Beings, comes in handy: It describes 100 of the country's most ghastly creatures in great detail. It is also lavishly illustrated, primarily with ukiyo-e woodblock prints, but also with the odd painting here and there....It is an excellent introduction to the field." --The Japan Times