"The glow accompanying August Wilson's place in contemporary American theater is fixed."--Toni Morrison
When Harold Loomis arrives at a black Pittsburgh boardinghouse after seven years' impressed labor on Joe Turner's chain gang, he is a free man--in body. But the scars of his enslavement and a sense of inescapable alienation oppress his spirit still, and the seemingly hospitable rooming house seethes with tension and distrust in the presence of this tormented stranger. Loomis is looking for the wife he left behind, believing that she can help him reclaim his old identity. But through his encounters with the other residents he begins to realize that what he really seeks is his rightful place in a new world--and it will take more than the skill of the local "People Finder" to discover it.
This jazz-influenced drama is a moving narrative of African-American experience in the 20th century.
Theresa Brown is a clinical nurse, frequent contributor to The New York Times and author.
Didn't know that August Wilson could be whimsical. Last night I taught JOE TURNER'S COME AND GONE to my class on Healing and Storytelling. Spreading the love! https://t.co/BJr2fcGFCH
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REVIEW: For Parent, directing this show (after recently starring in another August Wilson play, āJoe Turnerās Come and Goneā at the Huntington) is noteworthy, as he moved to Boston 12 years ago for another job at Actors Shakespeare Project. https://t.co/fda7N5isQR
"Has the haunting power of a ghost story . . . bold theatricality . . . electrifying."--The Washington Post
"August Wilson's best play!"--William A. Henry III, Time magazine
"Joe Turner's Come and Gone is one of the best American plays of the decade . . . he takes us through joy and disaster, hatred and love; he pulls few punches and in the end he has contributed not only to the stature of American playwrighting but to our understanding of our society. A rich, rewarding play, that rare work what entertains while it teaches."--The Providence Journal