But for Keats fame lay not in contemporary literary politics but with posterity. Spenser, Shakespeare, Milton, and Wordsworth were his inspiration and challenge. The extraordinary speed with which Keats matured is evident from his letters. In 1818 he had worked on the powerful epic fragment Hyperion, and in 1819 he wrote The Eve of St Agnes, La Belle Dame sans Merci, The Major Odes, Lamia, and the deeply exploratory Fall of Hyperion. Keats was already unwell when preparing the 1820 volume for the press; by the time it appeared in July he was desperately ill. He died in Rome in 1821. Keats's final volume did receive some contemporary critical recognition, but it was not until the latter part of the nineteenth century that his place in English Romanticism began to be recognized, and not until this century that it became fully recognized.
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With its masterful ability to contrast the ephemeral realities of life with the eternal beauty of art, ‘Ode on a Grecian Urn’ is one of John Keats’s most beloved poems https://t.co/1X3TUOhZqc
Quotes from the writings of the literary and religious critic, Harold Bloom. Help support my work on this page: https://t.co/x98imNXJMu
[Dante Gabriel] Rossetti thought of himself primarily as a painter. I greatly prefer his poems to his pictures, though their enigmas disturb me. A disciple of John Keats and Dante, Rossetti thinks through his poems more thoroughly than anyone now writing.
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#OnThisDay 1821 died John Keats, English poet. Dozens of his poems: https://t.co/0dn5vt8ySY Tribute, track 3: https://t.co/onFPL5YrXr #LibriVox #audiobook #poetry https://t.co/5coJzPz6PU