Anna Deavere Smith's extraordinary form of documentary theater shines a light on injustices by portraying the real-life people who have experienced them. "One of her most ambitious and powerful works on how matters of race continue to divide and enslave the nation" (Variety).
Smith renders a host of figures who have lived and fought the system that pushes students of color out of the classroom and into prisons. (As Smith has put it: "Rich kids get mischief, poor kids get pathologized and incarcerated.")
Using people's own words, culled from interviews and speeches, Smith depicts Rev. Jamal Harrison Bryant, who eulogized Freddie Gray; Niya Kenny, a high school student who confronted a violent police deputy; activist Bree Newsome, who took the Confederate flag down from the South Carolina State House grounds; and many others. Their voices bear powerful witness to a great iniquity of our time--and call us to action with their accounts of resistance and hope.
I never tweet and I never learn.
Urging you all to go see #NotesfromtheField, an amazing monologue by @AnnaDeavereS at the @royalcourt as part of @LIFTfestival. Unlike anything I’ve ever seen and so haunting and beautiful. A tour-de-force! Until next Saturday, book now!!! https://t.co/U5NX34HXwD https://t.co/vyIj4IkCEJ
The writers' theatre. (This account is monitored from 10am - 6pm, Monday - Friday)
'Ms. Smith [is] invaluable... American theater's most dynamic & sophisticated oral historian.' Read @nytimes review of @AnnaDeavereS's #NotesFromTheField, coming to the Royal Court as part of @LIFTfestival in June: https://t.co/A3uhN70hxs https://t.co/9cBv89lfof
"Deeply moving. . . . Dazzling stagecraft meets dazzling spectacle. . . . Magnificent. . . . Wonderful." --Newsday
"Moving. . . . Smith is an effective and supremely talented conduit." --Los Angeles Times
"Anna Deavere Smith has created one of her most ambitious and powerful works on how matters of race continue to divide and enslave the nation." --Variety
"Devastating. . . . Astonishing. . . . Unquestionably great theater." --Vulture
"Brilliant. . . . Anna Deavere Smith may be the most empathetic person in America." --HuffPost
"[A] masterpiece. . . . Smith's powerful style of living journalism uses the collective, cathartic nature of the theater to move us from despair toward hope." --The Village Voice
"Urgently timely. . . . Audacious and mind-opening." --Time Out New York
"This is captivating political theatre, a devastating document of racial inequality and the most rousing of rallying calls. Everyone should watch it." --The Guardian
"A tour de force. . . . A coruscating indictment of the school-to-prison pipeline." --Financial Times
"Stirring. . . . Powerful. . . . The scope is almost Shakespearean: the voices range from policy professionals to people on the street. If there's an overarching thrust . . . it lies in the suggestion that the struggle for civil rights is ongoing: the legacy of segregation, its trauma too, endures and reasserts itself." --The Telegraph (London)