Praise for Pyre:

Longlisted for the International Booker Prize

Longlisted for the DSC Prize for South Asian Literature

Praise for Perumal Murugan:

Twice Longlisted for the National Book Award for Translated Literature

"Murugan works his themes with a light hand; they always emanate from his characters, who are endowed with enough contradiction and mystery to keep from devolving into mouthpieces . . . It's not just the physical world Murugan describes so vividly--the way a cow clears its throat, for example--but the rural community, a village of 20 huts and a thousand ancient resentments, where there is no privacy and your neighbor's suffering can serve as your evening's entertainment . . . I'm hoping for a whole shelf of books from this writer." --Parul Sehgal, New York Times, on One Part Woman

"The Story of a Goat, translated from Tamil by N. Kalyan Raman, jumps nimbly from fantasy to realism to parable . . . The effect is not so much escapist fantasy as existential reflection . . . The elegance of Murugan's simple tone will lull you deeper into his story . . . The early scenes of tiny Poonachi wandering in the field and cavorting with other goats are as soft as cashmere . . . Woven through this slim novel is an acidic satire." --Ron Charles, Washington Post

"A major Indian writer . . . Dark currents run through One Part Woman . . . Kali and Ponna, a couple who are erotically wrapped up in each other, withstand waves of derision because they have not conceived a child after a decade of marriage . . . When describing the farming communities of South India, Mr. Murugan is neither sentimental nor harsh." --New York Times (profile)

"Intimate and affecting . . . Throughout the novel, Murugan pits the individual against the group. How far you willing to go, he asks, in order to belong? . . . Murugan's descriptions of village life are evocative, but the true pleasure of this book lies in his adept explorations of male and female relationships, and in his unmistakable affection for people who find themselves pitted against the world." --Laila Lalami, New York Times Book Review, on One Part Woman

"This fable of society, bureaucracy, and rural life centers on a Tamil farming couple in South India and the female goat they receive from a mysterious man. The boundaries between human and animal consciousness are blurred as the frail foundling matures under the couple's care, encountering maternal bliss and heartbreak. The small triumphs and tragedies of rural life, such as drought, material wealth, and run-ins with a comically inefficient provincial government, are relayed through the goat's trenchant observations, which poignantly expose how tightly the lives of caretakers and their livestock are bound." --New Yorker, on The Story of a Goat

"The title character of Murugan's elegant new novel is indeed a joy . . . Murugan's marvelously observant narrative is equally interested in the visceral daily life of a farm creature . . . The greatest achievement of this remarkable novel is the empathy its adult readers will feel for a non-human creature; through Poonachi's tale we are reminded how much bonds us with the animal world." --USA Today, on The Story of a Goat

"Subtly subversive . . . In simple yet lyrical prose, Murugan shows how their standing in the world depends on offspring . . . The novel considers the constraints of tradition and beautifully articulates the couple's intense connection, even without a child." --New Yorker, on One Part Woman

"[A] parable about village life, written with breathtaking and deceptive simplicity . . . Murugan traces the entire life of his little goat--her despair, her small acts of heroism, her longing--with Chekhovian clarity. Each sentence in Raman's supple translation is modest, sculpted and clean, but behind each you sense a fund of deep wisdom about the vagaries of the rains, politics, behavior--human and animal." --Parul Sehgal, New York Times, on The Story of a Goat

"A goat's life serves as an allegory for the human condition in this novel from an acclaimed Indian author . . . In anthropomorphizing Poonachi, Murugan finds a path to describe the essence of humans' struggle to survive while grasping for fleeting moments of joy and grace . . . In the tradition of George Orwell's Animal Farm . . . An affecting modern fable reflecting Murugan's enchanting capacity to make a simple story resonate on many levels." --Kirkus Reviews (starred review), on The Story of a Goat