Critic Reviews
Great
Based on 9 reviews on
Based on true events in nineteenth century Ireland, Hannah Kent's startling new novel tells the story of three women, drawn together to rescue a child from a superstitious community.
Nora, bereft after the death of her husband, finds herself alone and caring for her grandson Micheal, who can neither speak nor walk. A handmaid, Mary, arrives to help Nora just as rumors begin to spread that Micheal is a changeling child who is bringing bad luck to the valley. Determined to banish evil, Nora and Mary enlist the help of Nance, an elderly wanderer who understands the magic of the old ways.
Set in a lost world bound by its own laws, The Good People is Hannah Kent's startling new novel about absolute belief and devoted love. Terrifying, thrilling and moving in equal measure, this follow-up to Burial Rites shows an author at the height of her powers.
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We spoke to #RunRabbitRun screenwriter @HannahFKent at #Sundance about the themes of motherhood and alienation in her film debut, and the process of adapting her own novels #TheGoodPeople and #Devotion for the screen: https://t.co/lODRyoPsfk https://t.co/AeISo21tf3
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Don't miss this tour! Devotion is a tender and beautiful transcendent queer love story. From the bestselling author of Burial Rites and The Good People, it is Hannah Kent's most personal book yet. RTs appreciated :) https://t.co/XoUhR4QxAE
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here is an excerpt for DEVOTION (out on 03/02/22 from @picadorbooks ) this is the #newbook by @HannahFKent - author of Burial Rites (2013) and The Good People (2016) read an excerpt with us and then pre-order the special indie edition from @ForumBooks https://www.jellybooks.com/cloud_reader/excerpts/devotion_9781509863907-ex/QDdXQ
"THE GOOD PEOPLE is, like Burial Rites, a thoroughly engrossing entrée into the macabre nature of a vanished society, its virtues and its follies and its lethal impulses. THE GOOD PEOPLE takes us straight to a place utterly unexpected and believable, where amidst the earnest mayhem people impose on each other, there is no patronizing quaintness, but a compelling sense of the inevitability of solemn horrors."--Thomas Keneally, author of Schindler's Ark and The Daughters of Mars
"Remarkable.... Kent displays an uncanny ability to immerse herself in an unfamiliar landscape and to give that landscape a life - a voice - that is utterly convincing.... A haunting novel, shrewdly conceived and beautifully written."--The Australian