As Oyamada's slim, beguiling novel unfolds, the eerie atmospherics steadily ascend from unease to maximal uncanny...-- "4Columns"
The Hole magnifies the plight of some younger adults, particularly women. Work is banal. Childrearing is unappealing. And being a housewife is not, as one of Asa's older neighbors describes it, "a summer vacation that never ends." What, the novel asks, is left for a woman to do?-- "Asian Review of Books"
The Hole tells a fantastical story, as translated by David Boyd, in which increasingly bizarre illusions blend into reality, with a reclusive adult at the center. Oyamada unsettles readers, not allowing us to remain comfortable in the reality she creates, which makes for a beguiling read.-- "Booklist"
It takes a writer of great talent to mold the banality of the everyday into the stuff of art, and to build an entire world around a metaphor other writers might quickly deploy and cast aside, but Oyamada is in complete control of her talent.-- "Japan Times"
Oyamada's atmospheric literary thriller puts a fresh, gripping spin on the bored housewife set-up.-- "Publishers Weekly (starred)"
The Hole is Oyamada's second novel, and the second to be translated into pitch-perfect contemporary English by David Boyd....Brilliant.--Alex Andriesse "Reading in Translation"
Oyamada's slender novel belies a multi-layered, complex examination of contemporary disconnect and isolation so chillingly affecting that the surreal quickly turns convincingly plausible, and then all too insistently real.-- "Shelf Awareness"
Oyamada's greatest strength lies in keeping readers feeling discomfited... [The] whole narrative shudders not at mysterious creatures or secret family members but at the banality of life.-- "Spectrum Culture"
Surreal and mesmerizing.--Hilary Leichter "The New York Times"
The desire to escape the doldrums of late summer, for both the isolated Asa and the (likely lockdown-weary) reader, is telling of the current moment's general malaise.-- "The Seattle Times"
Horrific and scary, while at the same time affirming and beautiful.--Rumaan Alam "The New Republic"