Reader Score
70%
70% of readers
recommend this book
Critic Reviews
Good
Based on 11 reviews on
Drifting after her final year in college, a young writer begins working part-time as an emergency dispatch operator in Sydney. Over the course of an eight-hour shift, she is dropped into hundreds of crises, hearing only pieces of each. Callers report car accidents and violent spouses and homes caught up in flame.
The work becomes monotonous: answer, transfer, repeat. And yet the stress of listening to far-off disasters seeps into her personal life, and she begins walking home with keys in hand, ready to fight off men disappointed by what they find in neighboring bars. During her free time, she gets black-out drunk, hooks up with strangers, and navigates an affair with an ex-lover whose girlfriend is in their circle of friends.
Two centuries earlier, her great-great-great-great-grandfather--the British explorer John Oxley--traversed the wilderness of Australia in search of water. Oxley never found the inland sea, but the myth was taken up by other men, and over the years, search parties walked out into the desert, dying as they tried to find it.
Interweaving a woman's self-destructive unraveling with the gradual worsening of the climate crisis, The Inland Sea is charged with unflinching insight into our age of anxiety. At a time when wildfires have swept an entire continent, this novel asks what refuge and comfort looks like in a constant state of emergency.
The latest writing on arts, culture and society from across Australia, along with resources and awards for writers. 💛
Tune into your senses and develop your craft with esteemed author of 'The Inland Sea' @madeleine_watts. In this inspiring three-part course, Madeleine offers insightful reflections, readings & writing exercises on writing about the body. More info here: https://t.co/9QNuh1UP30 https://t.co/tE0KLHawk7
Elvia Wilk is a writer and editor.
“Elvia Wilk has written a guidebook and a philosophy for living in a precarious world, in essays that are searching and funny, self-assured and unguarded all at once...” —@madeleine_watts, author of The Inland Sea
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.@minaseckin, author of The Four Humors (@CatapultStory), coming in with quality book recs, including @cpamzhang's How Much of These Hills Is Gold, @madeleine_watts' The Inland Sea, and @methborgan's A Touch of Jen. https://t.co/qBaGuvsbDR
"Throughout this blighted coming-of-age story, Ms. Watts seeds curious capsule histories about Australia's earliest colonizers and their disappointed dreams of finding an Eden-like oasis at the heart of the barren continent . . . Watts writes with unquestionable poise and intelligence." --Sam Sacks, The Wall Street Journal
"A dizzying account of anxiety in this tale of crises both intimate and global." --Elle, One of the Most Anticipated Books of the Year
"The Inland Sea, Madeleine Watts' stunning debut novel, is a book about emergencies both big--climate change--and small--regrettable romantic hookups, clumsy IUD insertions . . . Watts captures the urgency of life right now, the particular blend of desire and destructiveness that comes with feeling like there is no longer a guarantee of tomorrow. And while The Inland Sea might not do much to ease the anxiety of these times, reading and getting lost in the shimmering sentences does feel a little like finding a small and perfect oasis in the midst of all the fires that burn around us." --Kristin Iversen, Refinery29, One of the Best New Books of the Year
"The Inland Sea is notable for how delicately it explores how a global crisis can intersect and amplify a personal one . . . Watts has written a surprisingly dreamy new standout in the climate-fiction canon." --Kate Knibbs, Wired
"The Inland Sea is a slow burn of a self-destructive woman struggling to make it through." --Alma, A Favorite Book for Winter
"An artful debut . . . Rich, tightly patterned . . . Watts's constrained metaphoric range--nature, disaster, violence--lends this novel the compressed charge of poetry." --Regina Marler, The New York Review of Books
"Watts expertly weaves two stories, told centuries apart, to reveal how our anxieties about our place in the world and the safety and future of the world have remained unchanged." --Adam Vitcavage, Debutiful, One of Ten Debuts to Read This Month
"In this wonderful first novel, a young woman endures a 'splendid conflagration of emergency' in the midst of a boiling Australian summer . . . The novel revolves around catastrophes of various scales, personal and global but also historical." --The Millions, One of the Most Anticipated Books of the Year
"An unnamed protagonist watches Australia burn as her body burns along with it . . . People around her experience disasters, and she keeps herself outside. She goes through trauma, and she doesn't know she's the one screaming. Magnificently uncomfortable." --Kirkus Reviews
"Australian writer Watts punctuates her eloquent debut with deep-seated anxiety about climate change . . . The prose is consistently rich and loaded with imagery. Watts's bold, unconventional outing makes for a distinctive entry into climate fiction." --Publishers Weekly
"An eyecatcher in both premise and language, which is rough-and-tough, visceral, and absorbing." --Barbara Hoffert, Library Journal
"This is a coming-of-age novel fit for the crippling uncertainty of twenty-first-century young adulthood . . . The powerful metaphors, relatable negotiation for a satisfying livelihood, and ethereal setting make Watts' debut a can't-miss." --Booklist