The whole world to take over...one human at a time
Sam, Mary, and The Old Man--the head of the clandestine
national security agency called the Section--travel to Iowa to investigate a
report involving a flying saucer as well as the disappearance of six agents
previously on the case. Learning that the city is being overrun by slugs, they
are disheartened to learn that they can't convince the US President to
officially declare an emergency.
The three are attacked but manage to escape. However, a slug
is able to escape with them. The situation becomes more dire when Sam gets
taken over and the slug starts using Sam's vast skills and knowledge to
facilitate the invasion.
Is this the beginning of the end for the human race?
Heinlein became one of the first American science-fiction writers to break into mainstream magazines such as The Saturday Evening Post in the late 1940s. He was one of the best-selling science-fiction novelists for many decades, and he, Isaac Asimov, and Arthur C. Clarke are often considered the "Big Three" of English-language science fiction authors. Notable Heinlein works include Stranger in a Strange Land, Starship Troopers (which helped mould the space marine and mecha archetypes) and The Moon Is a Harsh Mistress. His work sometimes had controversial aspects, such as plural marriage in The Moon is a Harsh Mistress, militarism in Starship Troopers and technologically competent women characters that were strong and independent, yet often stereotypically feminine - such as Friday.
Heinlein used his science fiction as a way to explore provocative social and political ideas, and to speculate how progress in science and engineering might shape the future of politics, race, religion, and sex. Within the framework of his science-fiction stories, Heinlein repeatedly addressed certain social themes: the importance of individual liberty and self-reliance, the nature of sexual relationships, the obligation individuals owe to their societies, the influence of organized religion on culture and government, and the tendency of society to repress nonconformist thought. He also speculated on the influence of space travel on human cultural practices.
Heinlein was named the first Science Fiction Writers Grand Master in 1974. Four of his novels won Hugo Awards. In addition, fifty years after publication, seven of his works were awarded "Retro Hugos"--awards given retrospectively for works that were published before the Hugo Awards came into existence. In his fiction, Heinlein coined terms that have become part of the English language, including "grok", "waldo", and "speculative fiction", as well as popularizing existing terms like "TANSTAAFL", "pay it forward", and "space marine". He also anticipated mechanical computer-aided design with "Drafting Dan" and described a modern version of a waterbed in his novel Beyond This Horizon, though he never patented nor built one. In the first chapter of the novel Space Cadet he anticipated the cell-phone, 35 years before Motorola invented the technology. Several of Heinlein's works have been adapted for film and television. [adapted from Wikipedia]
"
Tweeting about the fascinating lives of Hebrew words through the ages.
Hebrew has two words for "(space) alien" – חַיְזָר (χɑjˈzɑʁ) and חוּצָן (χuˈt͡sɑn). The first is a portmanteu of חַי (χɑj) "living (creature)" and זָר (zɑʁ) "foreign" coined by Amos Gefen in his translation of Robert A. Heinlein's "The Puppet Masters" (1961). 1/2
Writer, pop culture, in love with books/comics/music/film/TV. At Bluesky as at https://t.co/DCJs8ROudk & Threads as https://t.co/d9nbWBybc0
This afternoon’s nostalgia-saturated old paperback in a dusty ancient book frame: 1969’s well-worn Pan edition of 1951’s “The Puppet Masters” by Robert Heinlein, with its splendidly out-there cover by Gino D'Achille. https://t.co/MqMkT6CRB5
--Boucher & McComas