The interviews that make up the book were conducted in 1987, when Italian journalist Leopoldina Pallotta della Torre met the seventy-three-year-old Duras at her Paris flat and convinced her to sit for a series of conversations. The resulting book was published in Italian in 1989, but it somehow failed to attract a French publisher, and it was quickly forgotten. Nearly a quarter of a century later, however, the book was rediscovered and translated into French, and, it has now become a sensation. In its revealing pages, Duras speaks with extraordinary freedom about her life as a writer, her relationship to cinema, her friendship with Mitterand, her love of Chekhov and football, and, perhaps most significantly, her childhood in pre-war Vietnam, the experiences that propelled her most famous novel, The Lover.
A true literary event, finally available in English, The Suspended Passion is a remarkable document of an extraordinary literary life.
Chris Turner is a translator and writer living in Birmingham, UK. He has translated numerous books from French and German, including, for Seagull Books, titles by Jean-Paul Sartre, Roland Barthes, André Gorz, Yves Bonnefoy, and Pascal Quignard, among others.
“a film addict, absolutely crazy about cinema..”
“I read at night, until three or four in the morning. The darkness around you adds greatly to the absolute passion that develops between you and the book. Don’t you find that? In a way, daylight dissipates the intensity.” Marguerite Duras Suspended Passion: Interviews https://t.co/RlUN20HqTL
writer and translator with an interest in myth, memory, the (absent) body, linguistic consciousness, narrative deferral, and the philosophy of autoimmunity
“Until it sees the light of day, a book is something shapeless that’s afraid of being born, of coming out. Like a creature you carry within yourself, it demands fatigue, silence, solitude and slowness.” —Suspended Passion (Interviews), Marguerite Duras; tr. Chris Turner.
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"To be Black is to be contaminated by European subjectivity." SAINT OMER, out today, reframes Medea, Marguerite Duras and the justice system with haunting results. @anahitrooz interviews the brilliant Alice Diop all about it: https://t.co/zE3YVuD774 https://t.co/NGLRQG49zE