The definitive edition of one of the more extraordinary and influential books of our time
This labyrinthine and extraordinary book, first published more than sixty years ago, was the outcome of Robert Graves's vast reading and curious research into strange territories of folklore, mythology, religion, and magic. Erudite and impassioned, it is a scholar-poet's quest for the meaning of European myths, a polemic about the relations between man and woman, and also an intensely personal document in which Graves explores the sources of his own inspiration and, as he believed, all true poetry.
Incorporating all of Graves's final revisions, his replies to two of the original reviewers, and an essay describing the months of illumination in which The White Goddess was written, this is the definitive edition of one of the most influential books of our time.
“The Dude abides. I don’t know about you, but I take comfort in that, knowin’ he’s out there. The Dude. Takin’ ‘er easy for all us sinners.” – The Stranger
The White Goddess: A Historical Grammar of Poetic Myth, Robert Graves (1948) This book is referenced in V., Chapter 3: In which Stencil, a quick-change artist, does eight impersonations Stencil would often wake from a dream that his pursuit of V. was "merely a scholarly… https://t.co/icvBzXlpNX https://t.co/5JHnhCKjYx
Dubliner, FSA, FRHistS; mostly medieval with an unhealthy interest in James Joyce. Níl ann ach mo thuairim féin.https://t.co/axiJefYcA2
Quoting 'Joyce, Letter to Harriet Shaw Weaver, 1 January 1925, Letters I, 224. This is hardly the case, and had already been challenged by Charles Graves, Hermathena 2 (1875-6), 443-72 (only to be studiously ignored by his grandson Robert Graves, The White Goddess ...
An artist in New York City. In residence at ~batnev-riddur
Then it has a mythological function of a heroic sacrifice transformed into a cryptic cypher that seems taken straight from the pages of Graves “The White Goddess: a Historical Grammar of Poetic Myth” https://t.co/0s8mgqPw4f