His first book, A Mask for Janus, was chosen by W. H. Auden in 1952 for the Yale Younger Poets Prize. The Carrier of Ladders received the 1970 Pulitzer Prize. Among his other books of poems are The Drunk in the Furnace, The Moving Target, The Lice, Flower & Hand, The Compass Flower, Feathers from the Hill, Opening the Hand, The Rain in the Trees, Travels, The Vixen, The Lost Upland, Unframed Originals, The Folding Cliffs, The River Sound, The Pupil, a translation of Dante's Purgatorio the critically lauded translation of Sir Gawain and the Green Knight, as well as Present Company, which won the Rebekah Johnson Bobbitt National Prize for Poetry, Migration: Selected Poems 1951-2001, which won the National Book Award, and The Shadow of Sirius, which received the Pulitzer Prize (Merwin's second). A two-volume set, The Collected Poems of W. S. Merwin, was published in May 2013. Merwin's prose includes The Mays of Ventadorn, part of the National Geographic Directions series, The Ends of the Earth (essays), and the memoir Summer Doorways. Recent reissues of his books are The First Four Books of Poems, Spanish Ballads, translations of Jean Follain's poetry collection Transparence of the World and Antonio Porchia's Voices, and The Book of Fables, a reissue of (The Miner's Pale Children and Houses and Travelers). Forthcoming are the poetry collection Before Morning (Copper Canyon, April 2014) and a booklength essay, Unchopping a Tree (Trinity University Press, March 2014).
Merwin was named poetry consultant to the Library of Congress in 1999, along with poets Rita Dove and Louise Glück. He has been honored as laureate of the Struga Poetry Evenings Festival in Macedonia and as recipient of the international Golden Wreath Award, the 2004 Lannan Lifetime Achievement Award, the Pulitzer Prize (twice), the National Book Award, the Tanning Prize, the Bollingen Prize, the Ruth Lilly Poetry Prize, and the first Zbigniew Herbert International Literary Award, in 2013. He was appointed U.S. poet laureate in 2010.
Merwin has spent the last thirty years planting nineteen acres with over 800 species of palm, creating a sustainable forest; the property recently became the Merwin Conservancy (http: //www.merwinconservancy.org).
"Suppose you chopped down a tree and then regretted it because, after all, a tree is a beautiful thing in nature. What to do? Firewood? Board feet? Or, you might consider unchopping it by following the instructions of W. S. Merwin, a man of proven ecological insight and robust poetic tendencies, to put it back together, leaf by leaf, limb by limb, splinter by splinter."--ForeWord Magazine
"Merwin is a dedicated environmentalist who has created a preserve for palm species near Haiku, and in his sparse prose he uses the image of raising a fallen tree as a device to explore themes of renewal and preservation."--Honolulu Star-Advertiser
"Part prose poem, part ecology lesson and part Zen instruction manual, Unchopping a Tree shares a mystical blueprint for healing the planet--the intricate, often invisible web of biological life--that our species so casually destroys. The book is made even more unique by artist Liz Ward's contribution of 11 delicate drawings depicting the cellular life of trees."--Cascadia Weekly
"This collection of pristine prose poems and delicately rendered art is surely a reminder that perhaps our wanton destruction of the planet can be reversed."--Rain Taxi
"In his personal anonymity, his strict individuated manner, his defense of the earth, and his heartache at time's passing, Merwin has become instantly recognizable on the page; he has made for himself that most difficult of creations, an accomplished style."-- Orion
BR>"The intentions of Merwin's poetry are as broad as the biosphere yet as intimate as a whisper. He conveys in the sweet simplicity of grounded language a sense of the self where it belongs, floating between heaven, earth, and the underground."-- Atlantic Monthly
BR>"Merwin is one of the great poets of our age."-- Los Angeles Times