Here, in an Orwellian 1984, Zoyd Wheeler and his daughter Prairie search for Prairie's long-lost mother, a Sixties radical who ran off with a narc. Vineland is vintage Pynchon, full of quasi-allegorical characters, elaborate unresolved subplots, corny songs ("Floozy with an Uzi"), movie spoofs (Pee-wee Herman in The Robert Musil Story), and illicit sex (including a macho variation on the infamous sportscar scene in V.).
Quotes from the writings of the literary and religious critic, Harold Bloom. Help support my work on this page: https://t.co/x98imNXJMu
Thomas Pynchon may or may not be a novelist but that is because he is something larger and more wonderful. He writes epic sagas almost without parallel... Mason and Dixon is an immense return to his full dazzlement [after Vineland] and I would think his finest single achievement.
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002 :: DAZZLING SYMMETRIES the redeeming tragicomedy of Pynchon's Vineland https://t.co/RQwPN10m7r FILE UNDER :: control, counterculture, extrasensory, legacy, Northern California, perversion, postmodernism, sentimentality, the stoner, the novel, Thomas Pynchon, tragicomedy https://t.co/LQBerkBc3B
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Thomas Pynchon’ın Vineland’i Devlet Baba’yla aşk nefret ilişkisi yaşayan radikallerin, ekonominin çarklarının ezdiği masumların, amansız ninjaların ve yaşarken ölenlerin romanı. 🖋️ https://t.co/BFwH7wzSij