In thirty-seven interlocking essays, Where I'm Reading From examines the rise of the "international" novel and the disappearance of "national" literary styles; how market forces shape "serious" fiction; the unintended effects of translation; the growing stasis of literary criticism; and the problematic relationship between writers' lives and their work. Through dazzling close readings and probing self-examination, Parks wonders whether writers--and readers--can escape the twin pressures of the new global system and the novel that has become its emblematic genre.
Writer • Traduttore e traditore • Editor at the @mcachicago • My first language is Non-English • Chileno & now Chicagüense • Fulbrighter • All views son mías 🫠
There is a tension between reader and text that the translator experiences in a special way because, rewriting the text in his own language, he has to allow that tension to happen again for a new group of readers. Where I'm Reading From (Tim Parks)
Tim Parks is a novelist, translator, and professor of literature.
You can read these short essays on literature and translation in the NYRB daily, but there's a paywall after the first article. Otherwise, this is in the collection Where I'm Reading From. There is a second collection Pen in Hand.... https://t.co/r4xIhjJ3Aw
Selected as one of Publishers Weekly's Top Ten Spring 2015 Literary Biographies, Essays & Criticism titles.
"In this lively collection of 37 essays, novelist and translator Parks, who is also one of the most eloquent and provocative critics, explores a range of topics in contemporary literature and publishing...As the character of the printed word and the nature of reading continue to change, Parks's essays probe the positive and negative effects of these changes for our reading lives." --Publishers Weekly
"Why do books matter? British novelist, essayist, translator, and critic Parks considers the current state of writing and reading in short, contemplative literary musings...'Do We Need Stories?' 'Why Finish Books?' 'What's Wrong with the Nobel?' 'Does Money Make Us Write Better?' Readers vexed by such questions will welcome Parks' thoughtful responses."-Kirkus
"Brilliantly skewers the pieties of the literary world." --Lionel Shriver, Prospect Magazine
"Quietly incendiary." --Tim Adams, The Observer
"He asks why people want to become writers and his wry and well-evidenced answers are ones that Dr. Johnson would have perfectly well recognized." --John Mullan, The Guardian
"If by its end you still feel writing is the career for you, then don't say you were not warned." --Alan Taylor, Herald Scotland